Services

Informational Presentations offer an introductory and interactive overview on a variety of motion picture film topics. Presentations can be tailered to, for example, film identification, preservation techniques, or analog filmmaking strategies. 

Presentations may be supplemented with physical film examples, potential 16mm screenings, or brief filmmaking tutorials. These presentation are typically scheduled for 1-2 hours, depending on the topic and level of interaction.

The Cameraless Filmmaking Workshop is an interactive and hands-on experience, offering participants all of the skills and equipment to scratch, paint, animate, and create their own 16mm film... without a camera. 

Cameraless filmmaking techniques, sometimes called direct or scratch animation, offers an amazing introduction to both the physical characteristics and mechanics of motion picture film. 

What we provide:

• Carefully designed presentations that cover the physical characteristics of 16mm motion picture film and cameraless filmmaking techniques.

• All of the essential filmmaking equipment, including black and transparent film leader, markers, paints, scratching utensils, and a film splicer and projector for viewing the film upon completion.

• Though we're based out of Bloomington, IN, we'll travel across the nation or internationally to bring you a one-of-a-kind experience.

What we need:

• An open mind and willingness to explore your creative passions...that's pretty much it. 

• Workshops work best with a minimum of 6 and a maximum of 20 participants, but we're happy to explore alternatives based on your community's needs.

• A small space for the actual workshop, but contact us to explore options in your area if you don't have a usable space on site.

The 2-Day 16mm Filmmaking Workshop is our most comprehensive and immersive session, offering participants placed in small production groups, all of the skills, equipment, and instruction to shoot their own 16mm film over the course of 2 days. 

What we provide:

• Carefully designed presentations that cover the Bolex H16 camera, Sekonic light meter, cinematography principles, and characteristics of celluloid film.

• All of the essential filmmaking equipment, including Bolex camera kits, analog light meters, tripods, and a variety of Kodak 16mm film stocks.

• Though we're based out of Bloomington, IN, we'll travel across the nation or internationally to bring you a one-of-a-kind experience.

What we need:

• An open mind and willingness to explore your creative passions...that's pretty much it. While some filmmaking or photography experience may be beneficial, anyone can learn to shoot on film.

• Workshops work best with a minimum of 6 and a maximum of 12 participants put into small production groups, but we're happy to explore alternatives based on your community's needs.

• A small space for the actual workshop, but contact us to explore options in your area if you don't have a usable space on site.

Workshop Overview:

Session 1 - Scheduled for the morning of Day 1, Session 1 familiarizes small groups with the fundamentals of 16mm filmmaking and the technical details of the Bolex H16 camera and Sekonic light meter. This session first covers the essential elements of film cinematography, such as exposure, f-stops, frame rate, film speed, color balance and temperature, and exposure latitude. Then the unique features and functioning of the Bolex H16 camera are covered, including film loading, troubleshooting, and the use of accessories, special techniques, and filters, followed by an overview of the Sekonic Studio Deluxe light meter.

Session 2 - Scheduled for the afternoon of Day 1, Session 2 is dedicated to the development of an achievable concept for the camera-roll film. The session is dedicated to brainstorming, script development, storyboarding, and time management in small groups. The inclusion of relevant film examples may also be screened for inspiration. The goal for the end of Session 2 is to have a rough treatment and storyboard or shot list for each group so they are prepared to shoot a camera-roll film the next day. Finally, the important role of film preservation will be discussed and cover techniques for film handling and proper storage conditions.

Session 3 - Spanning the entirety of Day 2,  Session 3 is dedicated to small groups shooting their camera-roll films. Groups will be aided as needed but have free reign to complete their 16mm films. Groups will reconvene at the end of Day 2 to review their productions, discuss any issues, and reflect on the process and practice of 16mm filmmaking. 

Post Workshop - Films will be promptly shipped to the lab for processing and digital transfers. Scans will be delivered and shared with all participants and the physical film will be returned to a designated group member for safe keeping. Given the workshop location, a third meeting may be added several weeks after the initial workshop to screen the films with participants.